Archive for old patterns

A Challenging Cushion

Posted in Crochet, everyday life with tags , , , , , , , on January 31, 2012 by suetortoise

CB Cushion on chair

I’ve been busy.

The new job is going well, I’m pleased to say. I am settling in there nicely. On the embroidery front, the Second Yellow Mat is making good progress – it’s not far from finished now. It might even have been finished already except that I got sidetracked by another project… As one does. This project was figuring out an old crochet pattern on the Antique Pattern Library website. There was no actual pattern or any instructions: nothing but a hand-drawn illustration (probably a woodcut). You can see the printout I was working from in the picture below.

I had fun trying to  figure out how to stitch this. I can crochet, but I either follow a pattern or make up my own. Trying to figure out the pattern from a picture (which turned out to have a few minor inaccuracies) was quite a challenge.

But I rather relish a challenge like that. So with a lot of counting, trying-out, undoing, retrying and occasionally cursing, I did eventually figure the pattern out to my own satisfaction and produced the finished cushion front. And then came the equally tricky task of trying to turn my rough scribbles and scruffy notes into instructions that (I hope) will make sense to someone else. 

The finished instructions now have their own page on Tortoise Loft – the Blog: Crochet: Old Cartier-Bresson Crochet Square.

With the 4-ply cotton yarn I used, it was a very good size for a cushion. In a finer thread, it would make a handsome square for a bedspread, or something of that sort. I hope some people will have a go at working it. I also hope people will let me know if they spot any mistakes in the instructions, so I can make corrections.

I don’t intend to work out any other of the crochet patterns from these little booklets – one was enough! But I am very pleased with how well this one turned out.

A Year with Stitches

Posted in Embroidery, everyday life with tags , , , , , , , , , , on January 6, 2012 by suetortoise

About time I updated the blog, I think! I am not making a New Year resolution to get back to more frequent blogging: I know what happens to resolutions and good intentions. But I am hopeful.

 
Whitework Band in progress

Embroidery. Looking back at the last 12 months, I think I can safely say that I have done more stitchery in 2011 than in any year since the early 1990s. I’ve never totally given up on embroidery, but there have been years when I’ve done hardly any. This was one of the most productive ones.

I also seem to have developed more patience and more willingness to stick at a piece of stitchery than I’ve ever had before, making me happier to take on more labour intensive embroideries. I no longer feel the urge to rush projects and spoil them, and I am less inclined to give up half way through – most of the embroidery projects I’ve started in 2011 have been finished, not left half-done. I even took up several pieces that had been left part-finished a decade or more ago and completed them. (There are more old unfinished projects still waiting for my attention, but I’ve made a good start on the pile.)

So what has sparked this revival of interest in embroidery? The main influence has been one of the things that previously got in the way of my stitching and craftwork: the Internet. I like to study old needlework, and more and more old patterns and embroidery textbooks being made available online. The amount of museum reference material online, with good, clear images, is also growing.  It’s rather wonderful to be able to study samplers in the V&A without the train fare to London, or look at early pattern books that I have read of but never seen for myself.

Openwork sampler, finished

A sampler of cut drawn and openwork embroidery, trying out stitches and techniques from books from the Antique Pattern Library

Heading the list of last year’s favourite discoveries is the excellent Antique Pattern Library – an ever-increasing collection of old books, charts and magazines, free for downloading for non-commercial purposes. (Not just embroidery – it’s a treasure trove for knitters, crocheters, tatting enthusiasts and more.) I’ve downloaded several books, mostly late Victorian and Edwardian, and they’ve proved very useful for both information and inspiration. It’s a wonderful resource which deserves to be much more widely known.

Eyelet band bookmark, detail

A bookmark for my mother. Made with a lovely variegated pearl cotton from Stef Francis, worked on 28 count Jobelan fabric.

And then there are the specialist suppliers for embroidery materials. Although I always try to source purchases locally and support shops in this area, it’s not always possible to find what I am looking for if it is something a little out of the ordinary – as it usually is. So then I am happy to support the small specialist companies who do business online. (The larger online concerns are very much my supplier of last resort.) It’s probably a good thing that I am short of money, because I can browse specialist thread suppliers websites for hours, getting more and more inspired in the process!  

I want to show you this piece, which I’ve been working on gradually for the last four or five months. (I was determined to finish it in 2011, and I did – just.) I am rather proud of it! It’s the finest fabric I have ever tried to use for counted cutwork, about 45 threads to the inch, although it is not exactly evenweave. These primrose-yellow linen placemats, already hemmed and with a narrow drawn-thread border, were on the antique stall in the local market at 50p each. I don’t know how old they are – even the hem is hand-stitched, so they were probably made for the love of it rather than for commercial purposes.
Yellow Mat
I decided to add some further decoration, continuing my exploration of counted cutwork. The stitches used are those used in modern Hardanger: satin-stitch kloster blocks, woven bars and dove’s-eye filling in the mesh areas, with Maltese cross filling in the large cut spaces and rows of single faggot stitch making the diamond shapes between the motifs.

A small, poor-quality photo of Swedish cutwork embroidery from around 1840.

The design inspiration was less from modern Hardanger embroidery than from Swedish and Danish white work from the 1840s. 

Here’s a clearer view of the stitchery:

Yellow mat 1 detail
I had to buy a new pair of embroidery scissors, as my old pair were not slim and sharp enough to cut these tiny holes. I used a single strand of stranded cotton for the embroidery. I also had to wear two pairs of spectacles at once in order to see the threads!
Yellow mat 2 part 1I am now starting a second mat. On the right of the photo is the mat in its original state, with the drawn threadwork border. I have just started working antique hemstitch around the inner edge of the border to neaten the raw edge. I will do the same on the outer edge. I’ve also marked out the area to be stitched. I still have to plan and chart the design for this one. I want to use different motifs (I think I shall have hearts on this one – another popular motif from the old Swedish whitework), but I will use the same stitches and the same Maltese cross motifs to be in keeping with the first mat. Maybe in another month or so I shall be able to show you the first completed section.