Archive for sampler

Annetje Band Sampler

Posted in Embroidery, Needlework with tags , , , , , , , , on June 19, 2016 by suetortoise

Annetje on light background

As promised, more about the band sampler. In March last year, I bought a bundle of charts for old samplers, from someone selling up stock. One of them was a reproduction of a Dutch sampler from 1663

Permin chart cover

The original sampler was charted by Permin of Copenhagen – it’s a massive chart on two huge sheets of paper. Worked over two threads on 30 count fabric, the size of the whole sampler would be 61 x 57 cm! Their reference number for the kit version is 39-8406 “Sampler ‘Antique'”. (Stocked in the UK by Sew and Sew, if you fancy such a mammoth undertaking.) Back in 1663, it was stitched by 11 year old Annetje Muusdochter, who lived in Broek in Waterland, near Amsterdam.

I can’t do better than point you at this blog page from Ex Antiques, who specialise in old samplers and have researched the Broek samplers – sixteen surviving examples known so far. They have a picture of the original. Not the clearest of photos, but close enough to show that the Permin chart is very accurate. The Ex Antiques blog is a treasure trove if you are interested in old samplers, particularly Dutch samplers. There are other posts about the Broek samplers, and photos of many of them.

When I saw the sampler, two things caught my eye. The first thing was the long strip of voided patterns on the left of the sampler: oh, how I wanted to work those bands! (More about the practicalities of working them in a momannetje church and housemarksent.) I definitely wasn’t interested in producing a copy of the whole sampler, although one or two of the motifs might be quite fun to adapt, and the lettering style is quaint, if not particularly easy to read. The other thing that caught my eye was the curious way Annetje had filled the gaps between the motifs and patterns – little shapes and signs made of straight lines. What were they? Some sort of code?

 

Continue reading

Finished!

Posted in Embroidery, Needlework with tags , , , , , on May 31, 2016 by suetortoise

annetje band sampler

I’ve been working on this band sampler as a carry-around project for well over a year. I promised myself that I’d finally finish it this month – and I did – just! (Better photos and some more information about it will follow in my next post.)

It’s been quite a while!

Posted in Embroidery, everyday life, Family and Friends with tags , , , , , , , , on May 15, 2015 by suetortoise

30 sitches to the inchI didn’t mean to stay silent for so long, but life has had other plans. Let me start with a quick update on my father’s health. Dad came home from hospital in March. He’s not so mobile now – he can’t walk – but he’s recently got an oxygen machine, which helps with his breathing, and he’s started working on his computer programming again, and showing some interest in life. My sister has been staying with him to help him. I took over for ten days at Easter, to give her a brief break, and I am usually there on Saturdays, so she can go out, but Frances has done the lion’s share of the caring and I don’t know how I’d have coped without her.

Continue reading

A Year with Stitches

Posted in Embroidery, everyday life with tags , , , , , , , , , , on January 6, 2012 by suetortoise

About time I updated the blog, I think! I am not making a New Year resolution to get back to more frequent blogging: I know what happens to resolutions and good intentions. But I am hopeful.

 
Whitework Band in progress

Embroidery. Looking back at the last 12 months, I think I can safely say that I have done more stitchery in 2011 than in any year since the early 1990s. I’ve never totally given up on embroidery, but there have been years when I’ve done hardly any. This was one of the most productive ones.

I also seem to have developed more patience and more willingness to stick at a piece of stitchery than I’ve ever had before, making me happier to take on more labour intensive embroideries. I no longer feel the urge to rush projects and spoil them, and I am less inclined to give up half way through – most of the embroidery projects I’ve started in 2011 have been finished, not left half-done. I even took up several pieces that had been left part-finished a decade or more ago and completed them. (There are more old unfinished projects still waiting for my attention, but I’ve made a good start on the pile.)

So what has sparked this revival of interest in embroidery? The main influence has been one of the things that previously got in the way of my stitching and craftwork: the Internet. I like to study old needlework, and more and more old patterns and embroidery textbooks being made available online. The amount of museum reference material online, with good, clear images, is also growing.  It’s rather wonderful to be able to study samplers in the V&A without the train fare to London, or look at early pattern books that I have read of but never seen for myself.

Openwork sampler, finished

A sampler of cut drawn and openwork embroidery, trying out stitches and techniques from books from the Antique Pattern Library

Heading the list of last year’s favourite discoveries is the excellent Antique Pattern Library – an ever-increasing collection of old books, charts and magazines, free for downloading for non-commercial purposes. (Not just embroidery – it’s a treasure trove for knitters, crocheters, tatting enthusiasts and more.) I’ve downloaded several books, mostly late Victorian and Edwardian, and they’ve proved very useful for both information and inspiration. It’s a wonderful resource which deserves to be much more widely known.

Eyelet band bookmark, detail

A bookmark for my mother. Made with a lovely variegated pearl cotton from Stef Francis, worked on 28 count Jobelan fabric.

And then there are the specialist suppliers for embroidery materials. Although I always try to source purchases locally and support shops in this area, it’s not always possible to find what I am looking for if it is something a little out of the ordinary – as it usually is. So then I am happy to support the small specialist companies who do business online. (The larger online concerns are very much my supplier of last resort.) It’s probably a good thing that I am short of money, because I can browse specialist thread suppliers websites for hours, getting more and more inspired in the process!  

I want to show you this piece, which I’ve been working on gradually for the last four or five months. (I was determined to finish it in 2011, and I did – just.) I am rather proud of it! It’s the finest fabric I have ever tried to use for counted cutwork, about 45 threads to the inch, although it is not exactly evenweave. These primrose-yellow linen placemats, already hemmed and with a narrow drawn-thread border, were on the antique stall in the local market at 50p each. I don’t know how old they are – even the hem is hand-stitched, so they were probably made for the love of it rather than for commercial purposes.
Yellow Mat
I decided to add some further decoration, continuing my exploration of counted cutwork. The stitches used are those used in modern Hardanger: satin-stitch kloster blocks, woven bars and dove’s-eye filling in the mesh areas, with Maltese cross filling in the large cut spaces and rows of single faggot stitch making the diamond shapes between the motifs.

A small, poor-quality photo of Swedish cutwork embroidery from around 1840.

The design inspiration was less from modern Hardanger embroidery than from Swedish and Danish white work from the 1840s. 

Here’s a clearer view of the stitchery:

Yellow mat 1 detail
I had to buy a new pair of embroidery scissors, as my old pair were not slim and sharp enough to cut these tiny holes. I used a single strand of stranded cotton for the embroidery. I also had to wear two pairs of spectacles at once in order to see the threads!
Yellow mat 2 part 1I am now starting a second mat. On the right of the photo is the mat in its original state, with the drawn threadwork border. I have just started working antique hemstitch around the inner edge of the border to neaten the raw edge. I will do the same on the outer edge. I’ve also marked out the area to be stitched. I still have to plan and chart the design for this one. I want to use different motifs (I think I shall have hearts on this one – another popular motif from the old Swedish whitework), but I will use the same stitches and the same Maltese cross motifs to be in keeping with the first mat. Maybe in another month or so I shall be able to show you the first completed section.