Archive for Embroidery

Meetings

Posted in Embroidery, everyday life, Needlework, out and about with tags , , , , , , , on March 25, 2017 by suetortoise

Several pleasant, embroidery-related things to talk about this month, including a trip to the NEC in Birmingham: blogger meets blogger.

I haven’t yet mentioned the Saturday-morning stitching group that is run by Shrewsbury Textiles and Creative Stitch (STACS) – the group that formed from the local EG group, when we voted to go independent last September. I joined the Saturday stitching group in January. It’s a friendly and welcoming bunch. There are usually about half a dozen or so adult stitchers, as well as a small but thriving junior group (who make interesting things on the other table). We meet at Bayston Hill Methodist Centre on the first Saturday of the month, where we have a well-lit room to work in. I am enjoying the chance to stitch in company again. Continue reading

Eight-Point Woven Star

Posted in Embroidery, everyday life, Needlework, out and about, science fiction, Stitches with tags , , , , , , , , , on November 22, 2016 by suetortoise

Here’s another interlaced stitch for you to try – you might find it handy for Christmas decorations and cards.

an-8-point-woven-star

The instructions look daunting, and the first few may seem very tricky to work. But once you’ve got the idea, you’ll find the stars quick to stitch. I suggest practising on Aida fabric with a fairly thin thread until you are confident, then you can try working on other evenweave fabric or just using a circle of 8 holes made in thin card. Continue reading

And Back Again…

Posted in Australia, Drawing and Painting, Embroidery, Family and Friends, out and about with tags , , , on October 16, 2016 by suetortoise

Well, I’ve been home for a whole week and I’m wishing I was still in Australia.

It was a good holiday, although the weather could have been kinder to us. It was great to meet up with KRin again at the Hopetoun Tea Rooms in Melbourne, and go with her to L’Uccello, The Kimono House and Maria’s Beads and Trims. When Kevon and I returned from a few days in Hobart, I got to meet Megan for the first time, in her brand new flat. I enjoyed seeing the originals of embroideries on her Emsley Rose blog and met Tommy the cat. Thanks for the Anzac biscuits, Megan, they were smashing!

cake-spotting

KRin and I choosing cakes at the Tea Rooms

Also on the needlework theme, I went to the excellent Annemieke Mein exhibition at Brighton Town Hall, and an equally wonderful quilt exhibition at the National Gallery of Victoria. Add in a fair bit of sightseeing, visits to friends, great meals, fresh air and exercise and you can guess that I have come home very happy.

I’ll write a little more about the holiday once I’ve got my photos edited and my thoughts in order. This may take a while as I’m busy getting pictures ready for the annual art show at Novacon next month. I’m currently inspired by 19th century printers’ ornaments. Here’s a sample of what I’m doing:

strictly-veg-mini

Hardanger embroidery – back to the fjords (via Sydney)

Posted in books, Embroidery, hardanger, Needlework, whitework with tags , , , , , , , on July 2, 2016 by suetortoise

I’ve been waiting eagerly for Yvette Stanton’s new book Early Style Hardanger since I first read about it as a work in progress, on her blog, White Threads. It sounded right up my street: firmly focused on the traditional Norwegian whitework technique rather than any modern interpretations.
I’m delighted to say that the book lives up to my expectations. It’s a substantial paperback: neat layout, enticing photographs, clear typography, copious step-by-step diagrams and charts. If I had to sum up the contents in one word, it would be ‘thorough’ – it’s one of the most in-depth single-subject embroidery books that I have seen.

Early Style Hardanger cover

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Annetje Band Sampler

Posted in Embroidery, Needlework with tags , , , , , , , , on June 19, 2016 by suetortoise

Annetje on light background

As promised, more about the band sampler. In March last year, I bought a bundle of charts for old samplers, from someone selling up stock. One of them was a reproduction of a Dutch sampler from 1663

Permin chart cover

The original sampler was charted by Permin of Copenhagen – it’s a massive chart on two huge sheets of paper. Worked over two threads on 30 count fabric, the size of the whole sampler would be 61 x 57 cm! Their reference number for the kit version is 39-8406 “Sampler ‘Antique'”. (Stocked in the UK by Sew and Sew, if you fancy such a mammoth undertaking.) Back in 1663, it was stitched by 11 year old Annetje Muusdochter, who lived in Broek in Waterland, near Amsterdam.

I can’t do better than point you at this blog page from Ex Antiques, who specialise in old samplers and have researched the Broek samplers – sixteen surviving examples known so far. They have a picture of the original. Not the clearest of photos, but close enough to show that the Permin chart is very accurate. The Ex Antiques blog is a treasure trove if you are interested in old samplers, particularly Dutch samplers. There are other posts about the Broek samplers, and photos of many of them.

When I saw the sampler, two things caught my eye. The first thing was the long strip of voided patterns on the left of the sampler: oh, how I wanted to work those bands! (More about the practicalities of working them in a momannetje church and housemarksent.) I definitely wasn’t interested in producing a copy of the whole sampler, although one or two of the motifs might be quite fun to adapt, and the lettering style is quaint, if not particularly easy to read. The other thing that caught my eye was the curious way Annetje had filled the gaps between the motifs and patterns – little shapes and signs made of straight lines. What were they? Some sort of code?

 

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Barred Box Stitch

Posted in Embroidery, Stitches with tags , , on May 21, 2016 by suetortoise

barred box sample complete

I was hoping to be getting on with my Dutch band sampler this weekend: it’s nearly finished at last. But I’ve got a stinking cold so I’m keeping the silk sampler safely out of harm’s way. Instead, here’s another stitch from the Mordvalaisten pukuja kuoseja book for you to experiment with. This one is a good line stitch, more solid than cross stitch. I’m calling it Barred Box Stitch as I don’t know its proper name. It’s a bit like that pencil and paper game of boxes.

Barred Box Stitch diagram

It’s worked in two stages. The first stage is just a row of vertical lines. The second stage completes each box: top, diagonal and base line. It’s more-or less reversible, too. It can be worked on the diagonal, and in various sizes. It’s very straightforward as a line stitch, but working around corners does take a bit more planning and the occasional ‘fudge’ if you want to keep all the diagonal bars lying in the same direction.

barred box sample in progress

The scrolling patterns on the sample are also taken from the same book. Here’s a chart for the pattern. barred box border chart (Click to see full size.)

Glimpse – PART THREE

Posted in Embroidery, Needlework, Stitches with tags , , , , , , on April 30, 2016 by suetortoise

Here’s the last, and final, part of the instructions for the Glimpse bookmark. If you’ve just joined up, you’ll find PART ONE here and PART TWO here. This time we’ll finish the bookmark, I promise.

Here’s the chart again, to save you having refer back:

glimpse bookmark chart

And this is where we are so far:

window stitches finished

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