Archive for Embroidery

The Stash

Posted in Embroidery, Needlework with tags , , , , , on May 14, 2017 by suetortoise

I’ve been wanting to write about “stash” for a while: those boxes, drawers, cupboards and bags full of fabrics and threads, half-finished projects, purchasing failures, patterns, kits, books and equipment that accumulate around embroidery and craft people. Stock that we so often find ourselves embarrassed by and apologising for. Creative textile people generate stash. Most of us end up with far more than we can use in lifetime (and still don’t have quite the colour or type of thing we want for the next project).

“I’ve got far too much stuff, I’m sorry!”

Stop apologising for stash. It’s a resource. It’s stock. It’s the educational toy you can play with to learn new things, try out new stitches and techniques. It’s the bits and bobs you can spare to get a child or a friend started on the hobby, or provide just the right thing for someone else’s project. It’s an emergency supply for when you can’t afford or can’t find materials to use. It’s sheer inspiration: textures, colours, weights, combinations: options that you can get to know and that will suggest uses and ideas and become part of your mental toolbox when you design. Riches to be quietly proud of, not some sort of waste that needs using up like kitchen left-overs. With a few exceptions, fabric and threads will stay good and stay usable for a long, long time. Enjoy it, look at it, play with it, learn it.

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Exquisite Silk Embroidery

Posted in books, Embroidery, Needlework with tags , , , , , on May 1, 2017 by suetortoise

While I was at Sewing For Pleasure, I spotted some copies of this book on a bookstall and had a quick browse. But by the time I went back to the stall to buy a copy, they had all been sold. Eventually I tracked down a copy on Book Depository.

Chinese Embroidery: An Illustrated Stitch Guide is by Shao Xiaocheng and published by Better Life Press (ISBN 978-1-60220-015-9). It’s a good-sized hardback with over 160 pages and colour illustrations on virtually every page. I certainly don’t regret buying it. I have found it useful, interesting and inspiring, but I do have some serious reservations about recommending it. So this will be a mixed review.

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Meetings

Posted in Embroidery, everyday life, Needlework, out and about with tags , , , , , , , on March 25, 2017 by suetortoise

Several pleasant, embroidery-related things to talk about this month, including a trip to the NEC in Birmingham: blogger meets blogger.

I haven’t yet mentioned the Saturday-morning stitching group that is run by Shrewsbury Textiles and Creative Stitch (STACS) – the group that formed from the local EG group, when we voted to go independent last September. I joined the Saturday stitching group in January. It’s a friendly and welcoming bunch. There are usually about half a dozen or so adult stitchers, as well as a small but thriving junior group (who make interesting things on the other table). We meet at Bayston Hill Methodist Centre on the first Saturday of the month, where we have a well-lit room to work in. I am enjoying the chance to stitch in company again. Continue reading

Eight-Point Woven Star

Posted in Embroidery, everyday life, Needlework, out and about, science fiction, Stitches with tags , , , , , , , , , on November 22, 2016 by suetortoise

Here’s another interlaced stitch for you to try – you might find it handy for Christmas decorations and cards.

an-8-point-woven-star

The instructions look daunting, and the first few may seem very tricky to work. But once you’ve got the idea, you’ll find the stars quick to stitch. I suggest practising on Aida fabric with a fairly thin thread until you are confident, then you can try working on other evenweave fabric or just using a circle of 8 holes made in thin card. Continue reading

And Back Again…

Posted in Australia, Drawing and Painting, Embroidery, Family and Friends, out and about with tags , , , on October 16, 2016 by suetortoise

Well, I’ve been home for a whole week and I’m wishing I was still in Australia.

It was a good holiday, although the weather could have been kinder to us. It was great to meet up with KRin again at the Hopetoun Tea Rooms in Melbourne, and go with her to L’Uccello, The Kimono House and Maria’s Beads and Trims. When Kevon and I returned from a few days in Hobart, I got to meet Megan for the first time, in her brand new flat. I enjoyed seeing the originals of embroideries on her Emsley Rose blog and met Tommy the cat. Thanks for the Anzac biscuits, Megan, they were smashing!

cake-spotting

KRin and I choosing cakes at the Tea Rooms

Also on the needlework theme, I went to the excellent Annemieke Mein exhibition at Brighton Town Hall, and an equally wonderful quilt exhibition at the National Gallery of Victoria. Add in a fair bit of sightseeing, visits to friends, great meals, fresh air and exercise and you can guess that I have come home very happy.

I’ll write a little more about the holiday once I’ve got my photos edited and my thoughts in order. This may take a while as I’m busy getting pictures ready for the annual art show at Novacon next month. I’m currently inspired by 19th century printers’ ornaments. Here’s a sample of what I’m doing:

strictly-veg-mini

Hardanger embroidery – back to the fjords (via Sydney)

Posted in books, Embroidery, hardanger, Needlework, whitework with tags , , , , , , , on July 2, 2016 by suetortoise

I’ve been waiting eagerly for Yvette Stanton’s new book Early Style Hardanger since I first read about it as a work in progress, on her blog, White Threads. It sounded right up my street: firmly focused on the traditional Norwegian whitework technique rather than any modern interpretations.
I’m delighted to say that the book lives up to my expectations. It’s a substantial paperback: neat layout, enticing photographs, clear typography, copious step-by-step diagrams and charts. If I had to sum up the contents in one word, it would be ‘thorough’ – it’s one of the most in-depth single-subject embroidery books that I have seen.

Early Style Hardanger cover

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Annetje Band Sampler

Posted in Embroidery, Needlework with tags , , , , , , , , on June 19, 2016 by suetortoise

Annetje on light background

As promised, more about the band sampler. In March last year, I bought a bundle of charts for old samplers, from someone selling up stock. One of them was a reproduction of a Dutch sampler from 1663

Permin chart cover

The original sampler was charted by Permin of Copenhagen – it’s a massive chart on two huge sheets of paper. Worked over two threads on 30 count fabric, the size of the whole sampler would be 61 x 57 cm! Their reference number for the kit version is 39-8406 “Sampler ‘Antique'”. (Stocked in the UK by Sew and Sew, if you fancy such a mammoth undertaking.) Back in 1663, it was stitched by 11 year old Annetje Muusdochter, who lived in Broek in Waterland, near Amsterdam.

I can’t do better than point you at this blog page from Ex Antiques, who specialise in old samplers and have researched the Broek samplers – sixteen surviving examples known so far. They have a picture of the original. Not the clearest of photos, but close enough to show that the Permin chart is very accurate. The Ex Antiques blog is a treasure trove if you are interested in old samplers, particularly Dutch samplers. There are other posts about the Broek samplers, and photos of many of them.

When I saw the sampler, two things caught my eye. The first thing was the long strip of voided patterns on the left of the sampler: oh, how I wanted to work those bands! (More about the practicalities of working them in a momannetje church and housemarksent.) I definitely wasn’t interested in producing a copy of the whole sampler, although one or two of the motifs might be quite fun to adapt, and the lettering style is quaint, if not particularly easy to read. The other thing that caught my eye was the curious way Annetje had filled the gaps between the motifs and patterns – little shapes and signs made of straight lines. What were they? Some sort of code?

 

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